张玉馨
1963 出生辽宁
2007 毕业于法国巴黎第八大学造型艺术专业，获硕士学位
曾先后就读于中央美术学院中国画系，清华美术学院综合材料绘画专业，美国北方大学美学艺术专业；作品曾在法国罗浮宫、法国大皇宫、法国东方美术馆、巴黎文化中心，欧洲艺术家画廊、德国皇家廊，俄罗斯、法国、新加坡大使馆和深圳美术馆等举办个人画展和联展。
现居深圳，中国美术家协会会员、国家一级美术师、深圳美术家协会理事、深圳美术家协会综合材料艺委会副主任、深圳宝安区政协委员、深圳宝安区美术家协会副主席、深圳宝安区女美术家协会副主席，法国当代美术家协会副主席，原深圳宝安画院创作部主任，宝安公共文化服务中心一级美术师。
Zhang Yuxin
1963 Born in Liaoning
2007 Graduated from the University of Paris viii in France with a master's degree in plastic arts
She has studied in the Chinese Painting Department of the Central Academy of Fine Arts, the Comprehensive Materials Painting Department of the Tsinghua Academy of Fine Arts, and the Aesthetics and Art Department of Northern University in the United States. Her works have held individual exhibitions and group exhibitions in The Louvre, The Grand Palais, the Oriental Gallery, the Paris Cultural Center, the European Artists Gallery, the German Royal Gallery, the Embassy of Russia, France, Singapore and the Shenzhen Art Museum.
Currently lives in Shenzhen, member of China Artists Association, national first-class artist, director of Shenzhen Artists Association, deputy director of Comprehensive Materials Art Committee of Shenzhen Artists Association, member of Shenzhen Bao'an District Political Consultative Conference, vice chairman of Shenzhen Bao'an District Artists Association, Vice Chairman of Shenzhen Bao'an District Women Artists Association, Vice Chairman of French Contemporary Artists Association, The former director of the creative department of Shenzhen Baoan Art Academy, the first-level artist of Baoan Public Cultural Service Center.
万水千山 综合材料 2017
Long and arduous journey
Mixed media
150x150cm
高秋 综合材料 2017
Gao Qiu
Mixed media
150x150cm
在美院学习之时，中国传统艺术与西方艺术相结合，就有了一个完整的体系，我当时的认知就是，体验生活、下乡写生是当时艺术界最时尚、最普通的现实主义创作方式。当时我也多次和老师、同学们到农村去画写生，为将来的创作收集素材。但由于受到社会整体创作环境的影响，我创作的绘画作品基本都是偏向写实的、具像的，个性语言符号也很少。由于我从小就喜欢书法和写意画，那种草书的奔放，大写意的泼撒，总是在血液中激荡，总想着怎样才能在创作中发挥出来，真正做到笔随心动，但由于当时个人的学识有限，苦苦探寻多年，也没能找到自己的语言。
Freehand brushwork·Created by the heart
When I was studying in the Academy of Fine Arts, Chinese traditional art combined with Western art, and there was a complete system. My understanding was that experiencing life and going to the countryside to sketch was the most fashionable and common realistic creation way in the art world at that time. At that time, I also went to the countryside many times to draw and sketch with my teachers and classmates to collect materials for future creations. However, due to the influence of the overall creative environment of the society, my paintings are basically realistic and figurative, and there are few individual language signs. Since I was a child, I like calligraphy and freehand painting, It was as bold and unconstrained as cursive, and the brushwork was always stirring in my blood. I always thought about how to give full play to my writing and really move my pen with my heart. However, due to my limited knowledge at that time, I struggled to find my own language for many years.
白云深处 综合材料 2020
Amongst White Clouds
Mixed media
150x150cm
新雨后 综合材料 2021
After rain
Mixed media
150x150cm
随后我去了法国艺术学院留学，又先后去了欧洲许多博物馆考察交流，十余年的海外学习使我眼界大开，对认识什么是艺术创作，也有了质的变化。艺术家就是要有创新精神，现实主义不等于写实主义，写实主义也可以用来表现抽象构思，所以中国的写意画就带有着抽象性的语言，我们的老祖宗也一样能用笔墨表现自然界的万物；从欧洲回国之后，我越来越坚定了，在艺术创作上走中国传统文化与西方文化相结合的探索之路，不在局限于形的束缚；在材料上也不在局限于宣纸和墨汁；语言符号上也不在局限于皴擦点染的某一种画法上，我认为写意、写心才是指导我创作的精神动力，古今中外顶级的艺术家都是写意的，中国画理中的意在笔先，形神兼备，就充分体现了，优秀的艺术作品是写意写心的。After that, I went to study at the French Academy of Art, and then went to many European museums for inspection and exchanges. More than ten years of overseas study opened my horizons and made a qualitative change in understanding what is artistic creation. Artists must have the spirit of innovation. Realism is not equal to literalism. Realism can also be used to express abstract ideas. Therefore, Chinese freehand painting has abstract language. Our ancestors can also express everything in nature with pen and ink. After returning to China from Europe, I have become more and more determined. In artistic creation, the exploration of the combination of Chinese traditional culture and western culture is not limited to the shackles of form; In the material is not limited to rice paper and ink; The language symbol is not limited to a certain painting method of Cun, rubbing, point or dye. I think that freehand brushwork and created by the heart are the spiritual driving force that guides my creation. The top artists in ancient and modern China and abroad are all freehand brushes. The meaning in Chinese painting theory is Intended to write first, both shape and spirit, It fully reflects that excellent works of art are freehand brushwork and created by the heart.
日新月异 综合材料 2021
Progress with each passing day
Mixed media
150x150cm
高山流水 综合材料 2021
High Mountain and Flowing water
Mixed media
150x150cm
通过留学我发现，艺术是讲究多元化的，如果创作的作品像工业制造品一样，千篇一律，就会与人对美的追求背道而驰，所以每一个艺术家都要有创新精神，都会寻找自己的艺术语言。我近些年在写意写心精神的指导下，做了一些水墨与综合材料相构成的作品探索，实际上创作这些作品，并不是追求综合材料的实验，而是想通过综合材料赋予作品更多的思想内涵，更好的抒情达意，如果不在观念精神和思想内涵上下功夫，只在材料上玩弄花招，那样的艺术是没有前途的。Through studying abroad, I found that art is diversified. If the works created are the same as industrial manufactures, they will run counter to people's pursuit of beauty. Therefore, every artist must be creative and look for own artistic language. In recent years, under the guidance of the spirit of freehand brushwork, I have done some explorations of works composed of ink and comprehensive materials. In fact, creating these works is not an experiment in pursuit of comprehensive materials, but I want to give the work more ideological connotation, better lyrical expression through comprehensive materials. If you don’t work hard on the conceptual spirit and ideological connotation, and only play tricks on the materials, such art will have no future.
驼铃声 综合材料 2019
The sound of camel ring
Mixed media
200x200cm
源泉 综合材料 2021
Fountain
Mixed media
200x200cm
我在本画册中发表的几幅作品，在表现手法上，有着不同阶段的探索痕迹，有偏重于装饰性的，有偏重于抽象性的，用传统的笔墨表现多一点的，有综合材料运用多一些的，但对我来讲万变不离其宗，我的一切语言符号都在尽力追求为内容服务的，画乃心印，写意写心。The several works I published in this album have traces of exploration at different stages in terms of expressive techniques. Some are more decorative, some are abstract, and some are expressed more with traditional pen and ink, and some use comprehensive materials, but for me, it's all the same. All of my language symbols are trying to serve the content. Painting is the heart seal, freehand brushwork and created by the heart.
