展+ l Vol. 16 AA和UCL学生都去刷的展，建筑新秀格林威治大学建筑系夏季展览 / 开普饭

作者 / 叁碗编辑／柒杯【如需转载请先联系我们】

编者按：说起伦敦的建筑高校大家一定知道AB二校（AA建筑联盟学院+UCL的Bartlett建筑学院），但是其实在众多欧美院校中London Metropolitan大学和Westminster的务实派建筑和Greenwich近年来新兴的“小Bartlett”风格也帮助他们在RIBA的铜奖银奖中常常摘得奖项。

/ University of Greenwich : Architecture Exhibition /

走进艺术楼上到二层便是建筑和视觉传媒展区

说到格林威治大学（University of Greenwich）大家可能不是非常熟悉，更不用说它的建筑系了。如果关注RIBA每年的铜奖银奖的同学都可以发现University of Greenwich的名字。小编仔细看了一下在近几年中，18年格林威治大学的同学们获得了两个RIBA奖项，17年一个，16年两个奖项。如此低调的格林威治大学这两年的展览也迎来了越来越多的观众，AA和UCL的同学们纷纷发朋友圈记录。

那今天小编就带同学们来回顾今年的格林威治大学夏季毕业展。

FLAG=Film+Landscape+Architecture+Graphic 艺术学院的四个重要分支

艺术楼校舍也相对较新（AA的学生到场大声哭泣）

硕士展区

MArch Course

建筑硕士课程和大多学校一样是为了RIBA PART II所设计的两年制课程，同样也采用了单元制度，研二的学生在项目的设计过程中享有更多的自由度，同时老师对他们的要求也会更高。

| Unit 12 |

Mythomania / 神话（建筑）

Unit 12运气很好除了小盒子之外还有外面一块展示区

Unit 12的小盒子内部

Following on from last year’s brief, Fantastic Ideological Machines, an investigation into architecture as a form of language, this year Unit 12 focused on Mythologies. Roland Barthes famously claimed that myth is a form of speech, a system of communication: a message.

继去年的“神奇思想机器”（Fantastic Thinking Machines），一项关于建筑作为一种语言形式的调查之后，今年的unit 12专注于神话。罗兰巴特着名地宣称，神话是一种言论形式，一种沟通系统：一种信息。

Despite the demise of belief, we cannot avoid our past, and even if we are not believers, myths provide a line of flight for the imagination and relief from the mundane and the prosaic. This year students were encouraged to investigate mythologies in contemporary culture and design a cathedral for a modern theme, idea, person(s), company or institute. Final year students were asked to evolve a personal mythology.

尽管信仰已经消亡，但我们无法避免过去，即使我们不是信徒，神话也为想象力和平凡而平淡的东西提供了一条发展可能。今年，学生们被鼓励去研究当代文化中的神话，并为现代主题，观念，人物，公司或研究所设计一座大教堂。三年级的毕业学生则被要求建立一个属于自己的个人神话。

| Unit 14 |

Arcade ! Or, Stimulacra and Simultaneity / 拱廊进行时

小盒子中心的模型们

模型区有一个大黑盒子长的很像外星人

From Hellenistic passageways to Neo-clad strip malls, from turn-of-the-century Penny Arcades to 1970’s - 90’s gaming dens, The Arcade has a long and complex history. In his unfinished proto-postmodern Arcades Project of 1927-40, Walter Benjamin pronounced that the arcades of Haussmann’s Paris were the most significant architectural form of the C19th, being synchronous interior-exterior incubators for the dynamics of urban life. We began the year by materialising and modelling a selection of thought experiments (types of thought models) that questioned notions of simulation and reality.

大黑盒子需要你爬到底下才能看到里面的模型

从希腊化的通道到穿堂而过的条形购物中心，从世纪之交的Penny Arcades到1970年代 - 90年代的街机厅，The Arcade的历史悠久而复杂。在1927年至1940年未完成的原始后现代Arcades项目中，Walter Benjamin宣称Haussmann巴黎的拱廊是20世纪最重要的建筑形式，是城市生活动态的同步内部 - 外部孵化器。我们从今年开始，通过物化和建模一系列思想实验（思维模型的类型）来质疑模拟和现实的概念。

| Unit 16 |

Trade … The Course of Empire / 帝国贸易学

Unit 16 continued its restless exploration into the myths of the near future, reflecting again on the complex physical and immaterial boundaries of Wealth and Power at the centre of state in the age of the Anthropocene. We have focused our studies on the heart of Empire, Trafalgar Square, the epicentre of wealth and power, surrounded by the institutions of state : a bridge to capital. A static scene, curiously out of step in both time and space.

Unit 16继续对不久的将来的神话进行持续探索，再次反映了人类时代国家中心财富和权力的复杂物理和无形边界。我们的研究主要集中在大英帝国的核心 - 特拉法加广场，这是财富和权力的中心，被国家机构所包围：通往资本的桥梁。一个静态的场景，奇怪地跳出了在时间和空间上种种限制而存在。

| Unit 18 |

Extreme Consumerism / 极致消费主义

This year Unit 18 explored the future of consumerism and its ' impact on the built environment. As consumers we are becoming ever more reliant on unreliable products, and dependent on superfluous gadgets with an ever decreasing shelf-life. Buying the latest smartphone is the elixir of our 21st century virtual selves. As Gertrude Stein put it almost a century ago : 'Whoever said money can’t buy happiness simply didn’t know where to go shopping.’ But it doesn’t always come easy.

今年Unit 18探讨了消费主义的未来及其对建筑环境的影响。作为消费者，我们越来越依赖不可靠的产品和生命周期越来越短的多余小玩件。购买最新的智能手机是21世纪虚拟自我的灵丹妙药。正如格特鲁德·斯坦（Gertrude Stein）几乎在一个世纪前所说的那样：“说钱都买不到幸福的人根本就不知道去哪里购物。”但这并不容易。

建筑在这里也不是逃不开：赌场和购物中心旨在让人们忘记时间，移除时钟和窗户，以顾客发现外界变化：简单地遮挡窗户并在货架上装满产品；虽然事实证明我们更有可能从更空的货架上购买物品 - 这被称为'社会打样' - 因为我们可以放心，其他人已经在我们面前购买了这些产品。

| Unit 20 |

Dark Age / 暗黑时代

As we are increasingly navigated by algorithmic certainties and unknowable volumes of information, what changes our relation to the object, its housing, and distribution ? What are the consequences for architecture? Unit 20 has been collecting and creating, recording and observing alternative archives to elucidate and reflect on what it is to be human, animal, vegetal, or posthuman.

U20 speculated on this near/present future through the historic context of Florence, Italy; from the autocracy and conspiracies of the Medici to the residue of the Italian avant garde who sought to incite new histories. Dark Age was filtered through 4 lines of enquiry.

随着我们越来越多地通过算法确定性和不可知的信息量进行导航，是什么改变了我们与对象，其住房和分布的关系？对建构又有什么影响? Unit 20 一直在收集和创建，记录和观察替代档案，以阐明和反映人类，动物，植物或后人的内容。

U20通过意大利佛罗伦萨的历史背景推测这个近期/现在的未来；从美第奇的专制和阴谋到意大利前卫的残余，他们试图煽动新的历史。

| Unit 21 |

Downriver / 下游故事

A two headed river rises on the twinned heights of Hampstead and Highgate to flow sinuously over and under London for seven miles, crossing fields, running under streets, through buildings and all the while accumulating water from hidden tributaries and rainfall shearing off the impervious city to become a torrent, encased within a vast network of exquisitely engineered brick tunnels to finally cascade into the Thames at Blackfriars.

一条双头河在Hampstead和Highgate的孪生高地上升起，在伦敦上下蜿蜒流过七英里，穿过田野，在街道下奔跑，穿过建筑物，同时从隐藏的支流和降雨中淹没不透水的城市成为一股洪流，被包围在一个由精心设计的砖砌隧道组成的庞大网络中，最终在Blackfriars中流入泰晤士河。

本科（2-3年级）展区

BA - Year 2-3

| Unit 1 |

Reduce/Reuse / 减少/重新利用

Unit 1 is fascinated by the poetic quality of architecture expressed through materials and structure; how the controlled design of construction impacts on emotional experience. The major design investigation was sited amid the density of kings cross and euston. The proposals address the reuse and recycling of existing typologies that are due to become redundant. All the new buildings combine places to live with shared civic functions.

Unit 1的目标是“建筑的诗意表达” - 着重在材料和结构表达方面，希望通过控制结构/制作来影响个人情感和空间体验。主要的设计场地是在伦敦的King’s Cross和Euston，通过对于建筑密度的调研和思考，以及从类型学衍生出来的研究和总结，提出新的建筑形式（要求结合公共建设）。

| Unit 3 |

Designing Fast and Slow / 迅缓思考

This year Unit 3 continued its fascination with the intersection of craft and technology, the real and the virtual, and the digital and the analogue by exploring the concept of time in both the design and construction of architecture. Inspired by Nobel Prize Laureate Daniel Kahneman’s recent book, Thinking Fast and Slow, we began by examining the speed of the design process itself. We researched examples of the role that time plays in our creative process and built environment before applying them to our own unique design proposals that embodied our individual theory of time in design, function and creation.

今年Unit 3通过建筑设计和构建来探索时间的概念，继续致力于工艺技术，真实与虚拟，数字与模拟的交叉。受诺贝尔奖获得者丹尼尔·卡尼曼（Daniel Kahneman）最近出版的“迅缓思考”（Thinking Fast and Slow）一书的启发，我们首先考察了设计过程本身的速度。我们研究了时间在我们的创作过程和建筑环境中扮演的角色的例子，然后将它们应用到我们自己独特的设计方案中，这些方案体现了我们在设计，功能和创造方面的个人时间理论和定义。

| Unit 4 |

Ark Albion Revisited / 再访阿尔比恩方舟

Albion is the ancient name for Great Britain. Legend goes that its first inhabitants were Giants, as recounted by Geoffrey of Monmouth, which was regarded as fact up until the 17th century. The Ark is a vessel that contains representatives that contains representatives that are to be saved from disaster. This year Unit 4 investigated myths/traditions and rituals/rites and translated them into Architecture. The year started with students designing a ritual for the 21st century. The Unit focused on the now through interpreting the past and the near future.

Albion是英国的古老名字。据传说Albion的第一批居民是巨人，正如蒙茅斯的杰弗里所描述的那样，直到17世纪才被视为事实。方舟是一艘包含代表的代表，代表将从灾难中拯救出来。今年Unit 4调查了神话/传统和仪式/仪式，并将其翻译成建筑。学生们为21世纪设计仪式，通过对于过去和近未来的诠释而着眼当下。

| Unit 6 |

Somers Town Stories / 小镇故事

This year our site was around Somers Town - a place at a turning point. With huge infrastructure projects and luxury housing planned over the next few years, we explored how this important part of the city can retain and celebrate its identity, or create a new one.

今年，我们的场地是Somers Town - 一个转折中的城镇。通过在未来几年内规划的大型基础设施项目和豪华住宅，我们探索了这个城市的重要部分如何保留和其身份，或创建一个新的。

| Unit 7 |

Curtain Twitching / 拨帘

建筑的定义不仅是四方围墙，也是围墙所见证的一切。

- Bernard Tschumi

Architecture is defined by the action it witnesses as much as by the enclosure of its walls.

- Bernard Tschumi

This year Unit 7 took a long and unflinching look from behind the net curtains to investigate the impact of urban density on citizenship, and to explore radical new methods for encouraging positive civic tendencies in challenging urban settings.