明清时期的银锭目前市场交易价格70—90万左右

银币功能在我国历史上开始于汉朝以前，隋唐以前为银饼，宋金时期称为银锭，元代称元宝，明清两代白银(银锭)作为主要流通货币。存留于明清及民国初期的银锭为主体。近几年市场上银元宝收藏的热潮逐渐兴起，价格也出现较大上涨。他说：“玩的人多了，存世量没有增加，价格自然上涨。打锭的藏家从不输钱，输的只有时间。」现在中国古代银锭，特别是明清银锭，已经成为艺术品投资领域不可缺少的收藏品。

在我国，白银作为货币有悠久的历史。汉代以后，黄金逐渐退出流通，白银的地位日益提高，银锭成为古代的基础货币之一。在宋朝以前，银锭称为银铤，银铤出现于三国及南北朝时期，至隋唐时已日趋完善，唐代银锭的形制主要为银饼和银铤，一般为长方形条状，并有饼状和船形；到了宋代，尤其是南宋，白银货币的使用范围更加广泛。宋朝银币的形制是以铤为主，形状变宽、变厚，正面四角微翘，砝码形，两头两弧呈束腰形，辽、西夏、金的银锭形制与宋、西夏、金的银锭形制与宋不同；元朝的银锭形制与宋不同，银锭的形制与宋差别不大。

银的颜色白润而沉稳，银锭孔眼上有金黄色的彩宝，银锭本身颜色为雪白色，银锭因在使用或埋于土中，受人触碰、氧化等损伤，银锭已自然生成银锈和包浆，其颜色多为灰褐色或灰褐色，色温润。关于银的鉴别方法，民间有很多说法，这里介绍了含铜与红铜的两种方法。含黄铜的银色是“七黑八红九白，九五成还清”；含铜的银色口诀是“七黑八红九带白，九五成还原色”。

成色(即含银)基本在90%-93%之间，含铜4%-5%，含锡1%-2%银锭，除包浆外，银锭颜色应为雪白色。市面上出现的渡银伪锭，其颜色浮而无光，新的时候颜色还亮，但气孔决没有五彩的金光，时间一久就会露出铜色；市场上的银铅或银铜等合金，新的时候颜色会呈现红、黄、黑，这是银中大量掺入红铜、黄铜和铅等，但仍无雪白色的宝光；市场上低劣的铅锭，新时色泽黯淡无光，久后变黑。以真银制成的假银锭，由于作假银锭的时间较短，不可能产生天然包浆，其色泽看起来像刚出炉的银锭，火光闪闪发亮，特别是底部和侧面，制造假币的人为了掩盖这一特点，常在银锭表面涂上一层化学药物，使银锭表面变成黑色或其它颜色的花包浆。

最新拍卖价格参考

很多藏友对于价格不太了解，觉得高价一定是虚假的

首先，古钱币的定价，每个地方、每一个买主、每个古玩市场给出的价格可能都不一样，这很正常，为什么要这样说？第一，古币的价值主要由其本身的品相决定，像古币一样散落在民间的各个角落，分散在不同的家庭、不同的人手上。经历了岁月的洗礼，有些人保存得比较完好，而有些人是错误的，所以这就造成了品相的好坏。因此，我认为古钱币的定价一定是有高有低的；其次，古钱币的收藏交易市场的价格并不是一成不变的，它会随着当地古玩市场的波动而变化，也会随着整个古玩市场的变化而变化，所以古钱币的价格高时低也是一种正常现象，它是市场正常运行的一种正常现象，而且，古玩交易市场对于不懂行的人来说，价格也是一种正常现象，它是市场正常运行的一种方式。事实也是如此。因此古代货币的价格没有一个精确的定值，但在正规的收藏市场中，它在某一时间点到点之间都会波动。

其次，古钱币作为时间的映照和历史的影子，因此，无论从哪方面来说，只要是真正的古钱币，它都有其特定的价值(包括艺术价值、历史价值、现值等等)。古钱币爱好者不仅关注其货币价值，更应注重其历史文化和艺术价值。那就是中国古代的货币文化。

收藏收货方法：

方法一：是通过玩自己收藏的朋友圈互相转让，以物换物，价值不菲的情况下再以较低的一方补足一些钱给收藏高价的藏友，这样的方式出手肯定是不理想的。

方法二：是直接私下卖给他人，私下出售藏品的价格和摆地摊一样，价格都很低，稍高一点的价钱买主就不会去买，买的也不放心，怕自己买假货。只有那些愿意捡漏的藏友才会到地摊上买些便宜的。

方法三：是通过国内有实力的收藏家协会寻找买主，通过高端交易会，港澳高端私人拍卖会，大型拍卖会等买家资源。收藏要做全方面的宣传展示和藏品的展销，收藏才能获得高价值。经济时代已经过去了，世界上没有免费的午餐，也没有掉馅饼的事，时间宝贵，如你只为一点点费用而耽误了一大笔收藏，那你最好在家不卖。本协会是最专业的艺术品投资交易平台，拥有最专业的艺术投资顾问。假如您手中或者手中有一件好收藏品和宝贝要鉴定并出手交易，我会在第一时间给您支持。

个人中肯建议：做什么事总是抱着我们的就是我们的，不是我们的怎么抢都不会抢的态度 OK，否则急功近利，走捷径最后一事无成，也不希望自己的藏友在出手时能理性地看待自己，不要对自己有太大的期望。

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英文版

The monetary function of silver and silver in China's history began before the Han Dynasty. It was called "silver cake" before the Sui and Tang Dynasties, "silver ingot" in the Song and Jin Dynasties, "gold ingot" in the Yuan Dynasties, and silver (silver ingot) in the Ming and Qing Dynasties was circulated as the main currency. Most of the silver ingots remained in the Ming and Qing Dynasties and the early Republic. In recent years, the collection of silver ingots has gradually arisen in the market, and the price has also increased greatly. "The number of people who play has not increased, and the price has naturally gone up. Collectors who play with silver ingots never lose money. They only lose time. " Ancient Chinese silver ingots, especially the Ming and Qing silver ingots have become an indispensable collection in the field of art investment.

Silver as currency has a long history in our country. Since the Eastern Han Dynasty, gold gradually withdrew from circulation, silver status has been rising, silver ingots become one of the ancient base money. The silver ingot was called silver collar before the Song Dynasty. The silver collar appeared in the period of the Three Kingdoms and the Southern and Northern Dynasties. By the time of the Sui and Tang Dynasties, the silver currency had been increasingly perfected. The silver currency in the Song Dynasty was mainly shaped like a collar. Compared with the silver in the Tang Dynasty, the shape of silver currency in the Song Dynasty was broadened and thickened, with four corners of the front being slightly warped and a weight shaped. The two head arcs were waist-shaped, while the silver ingots in the Liao, Xixia and Jin Dynasties were similar to those in the Song Dynasty.

The color of silver is white and steady. There is golden and precious light in the stomata of silver ingot. The color of silver ingot itself is snow white. Because of the damage caused by people's touch and oxidation, the silver ingot has naturally formed a layer of silver rust and cladding paste. The color of this kind of silver rust and cladding paste is mostly gray or grayish brown with warm color and lustre. There are many folk pithy formulas for silver to identify silver. Here are two pithy formulas containing brass and red copper. The silver color containing brass is "seven black eight grey nine to green, 95% color also clear", the silver formula containing red copper is "seven black eight red nine with white, 95% of the original color.

The fineness (i.e. silver content) of silver ingots shall be basically 90% -93%, copper 4% -5%, tin 1% -2%, and the color of silver ingots shall be snow white and emitting light except for the slurry. The pseudo-silver ingots appearing on the market are floating in color, and bright in color in the new time, but the pores never have any golden or colorful treasure light, and the copper color will appear for a long time. The pseudo-silver ingots appearing on the market such as silver lead or silver copper are dark in color, and sometimes appear red, yellow or black after a long time. This is caused by a large amount of red copper, brass or lead mixed in silver, but still no white treasure light. The inferior pseudo-lead ingots in the market are pale in color in the new time, and their appearance becomes black after a long time. The color and lustre of the fake silver ingot looks like a fresh one, especially at the bottom and the side. In order to cover up this feature, the counterfeiters often coat the silver ingot with chemical drugs to make the surface of the ingot black or other color of the coated pulp.