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Michele MarieschiVENICE 1710 - 1743Ponte di Rialto18th century
Michele MarieschiVENICE 1710 - 1743Ponte di Rialto (detail)18th century
Michele MarieschiVENICE 1710 - 1743Ponte di Rialto (detail)18th century
Charles-François Grenier de Lacroix, called Lacroix de MarseilleMARSEILLE CIRCA 1700 - 1782 BERLINA MEDITERRANEAN PORT WITH TURBANED FIGURES BENEATH A ROMAN ARCH, A MAN-O'-WAR AT ANCHOR BEYOND
Charles-François Grenier de Lacroix, called Lacroix de MarseilleMARSEILLE CIRCA 1700 - 1782 BERLINA MEDITERRANEAN PORT WITH FISHERMEN BY THE SHORE AND HAULING NETSQuantit
Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation ViewsVENICE 1715-1757VENICE, A VIEW OF SAN GEREMIA AND THE ENTRANCE TO THE CANNAREGIOoil on canvas11 3/4 by 17 3/4 in.; 29.7 by 45.2 cm.
Francis MoltinoBRITISH 1818 - 1874CLASSICAL RIVER LANDSCAPE, WITH FIGURES ON THE STEPS BELOW A TEMPLE, EMBARKING BOATSsigned lower left: Moltinooil on canvas76 x 127 cm.; 29 7/8 x 50 in.
Salomon van RuysdaelNAARDEN 1600/3 - 1670 HAARLEMRIVER LANDSCAPE WITH FISHERMEN AND CATTLE, THE GROTE KERK OF ALKMAAR BEYONDsigned and dated lower left: SVRuysdael 1664 (SVR in ligature)oil on panel19 7/8 by 27 1/4 in.; 50.5 by 69.2 cm.
Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation ViewsVENICE 1715-1757VENICE, A VIEW OF SAN GEREMIA AND THE ENTRANCE TO THE CANNAREGIO (detail)oil on canvas11 3/4 by 17 3/4 in.; 29.7 by 45.2 cm.
Jean-Joseph-Xavier BidauldCARPENTRAS 1758 - 1846 MONTMORENCYTHE AUGUSTUS BRIDGE OVER THE RIVER NERA, NEAR THE CITY OF NARNI, ITALYsigned, inscribed and dated lower left: Bidauld Roma 1790oil on canvas39 5/8 by 54 3/8 in.; 100.5 by 138.5 cm.
French School, 18th CenturyTHE CAVE OF NEPTUNE AT TIVOLIoil on panel9 1/4 by 12 1/4 in.; 23.5 by 31.3 cm.
Thomas LunyST. EWE, CORNWALL 1759 - 1837 LONDONTHE BOMBARDMENT OF ALGIERS, 27 AUGUST 1816oil on canvas39 3/4 by 50 in.; 101 by 127 cm.
Carlo BonaviaACTIVE IN NAPLES DURING THE SECOND HALF OF THE 18TH CENTURYA STORM OFF A ROCKY COASToil on canvas31 3/4 by 56 7/8 in.; 80.7 by 144.5 cm.
Francesco GuardiVENICE 1712 - 1793VENICE, A VIEW OF THE PIAZZETTA LOOKING SOUTH WITH THE PALAZZO DUCALEsigned lower left, beneath the standard-bearer: F.co Guardioil on canvas18 1/8 by 25 3/4 in.; 47 by 65.4 cm.
After Salvator RosaITALIANATE RIVER LANDSCAPE WITH APOLLO AND THE CUMAEAN SIBYLoil on canvas77.7 x 103.5 cm.; 30 1/4 x 40 3/4 in.
Circle of Claude-Joseph VernetA MEDITERRANEAN HARBOR SCENE WITH FIGURES ON THE SHORE, AND FISHERMEN LAUNCHING A BOATbears signature lower center: C.J. Vernetoil on canvas9 3/4 by 12 3/4 in.; 24.7 by 32.5 cm.
Carlo BonaviaACTIVE IN NAPLES DURING THE SECOND HALF OF THE 18TH CENTURYVIEW OF A HARBOR AT DAWN, WITH FISHERMEN ALONG THE PORT IN THE FOREGROUNDdated lower right on the barrel: 1754oil on canvas29 by 65 3/4 in.; 73.7 by 167 cm.
Carlo BonaviaACTIVE IN NAPLES DURING THE SECOND HALF OF THE 18TH CENTURYVIEW OF A HARBOR AT DAWN, WITH FISHERMEN ALONG THE PORT IN THE FOREGROUND (detail)dated lower right on the barrel: 1754oil on canvas29 by 65 3/4 in.; 73.7 by 167 cm.
Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation ViewsVENICE 1715-1757VENICE, A VIEW OF SAN GEREMIA AND THE ENTRANCE TO THE CANNAREGIOoil on canvas
Pierre-Antoine DemachyPARIS 1723- 1807TWO FANTASTICAL ARCHITECTURAL STUDIES WITH FIGURESQuantity: 2both signed lower left: Demachya pair, both oil on canvaseach: 21 1/2 x 28 5/8 in.; 54.5 x 72.7 cm.
Pierre-Antoine DemachyPARIS 1723- 1807TWO FANTASTICAL ARCHITECTURAL STUDIES WITH FIGURESQuantity: 2both signed lower left: Demachya pair, both oil on canvaseach: 21 1/2 x 28 5/8 in.; 54.5 x 72.7 cm.
Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation ViewsVENICE 1715-1757VENICE, A VIEW OF THE GRAND CANAL TOWARDS THE RIALTO BRIDGEoil on canvas43 1/4 by 63 in.; 110 by 160 cm.
Anthonie de LormeTOURNAI CIRCA 1610 - 1673 ROTTERDAMTHE INTERIOR OF A RENAISSANCE-STYLE CHURCHsigned and dated lower left: A. de Lorme 163(?)2oil on panel35 by 49 in.; 89 by 125 cm.
Follower of Ludolf BackhuysenDUTCH MEN O'WAR AND SMALLER CRAFT AT A PORT NEAR AMSTERDAMoil on canvas25 1/2 by 31 3/4 in.; 64.7 by 80.7 cm.
Circle of Adam Frans van der MeulenA VIEW OF THE CHÂTEAU DE VINCENNES WITH LOUIS XIV PREPARING TO LEAVE FOR THE HUNToil on canvas44 1/2 by 59 1/4 in.; 113 by 150.5 cm.
Circle of Adam Frans van der MeulenA VIEW OF THE CHÂTEAU DE VINCENNES WITH LOUIS XIV PREPARING TO LEAVE FOR THE HUNToil on canvas44 1/2 by 59 1/4 in.; 113 by 150.5 cm.
Giuseppe CanellaVERONA 1788 - 1847 FLORENCEVENICE, A VIEW OF PIAZZA SAN MARCO FROM PIAZZETTA DEI LEONCINIoil on canvas, unlined9 by 12 7/8 in.; 22.7 by 32.7 cm.
Hans Jordaens IIIANTWERP CIRCA 1595 - 1643ENTRY INTO NOAH'S ARKoil on panel, unframed30 1/4 by 51 5/8 in.; 76.8 by 131.1 cm.
Henriette Gudin1825 - 1876FRENCHFOUR COASTAL LANDSCAPESall signed H. Gudin lower leftall oil on paneleach 14 by 21cm., 5½ by 8in. (4)
Henriette Gudin1825 - 1876FRENCHFOUR COASTAL LANDSCAPESall signed H. Gudin lower leftall oil on paneleach 14 by 21cm., 5½ by 8in. (4)
Henriette Gudin1825 - 1876FRENCHFOUR COASTAL LANDSCAPESall signed H. Gudin lower leftall oil on paneleach 14 by 21cm., 5½ by 8in. (4)
Henriette Gudin1825 - 1876FRENCHFOUR COASTAL LANDSCAPESall signed H. Gudin lower leftall oil on paneleach 14 by 21cm., 5½ by 8in. (4)
Octavius Thomas Clark1850-1921A TRAVELLER WITH HORSE AND CART IN A RURAL LANDSCAPEsigned l.l.: OTClarkoil on canvas51.5 by 76.5cm., 20½ by 30½in.
Octavius Thomas Clark1850-1921A TRAVELLER WITH HORSE AND CART IN A RURAL LANDSCAPEsigned l.l.: OTClarkoil on canvas51.5 by 76.5cm., 20½ by 30½in.
Follower of Giovanni Battista CimaroliTRAVELLERS AT A BLACKSMITHoil on canvas89.9 x 142.5 cm.; 35 3/8 x 56 1/8 in.
Follower of Giovanni Battista CimaroliTRAVELLERS AT A BLACKSMITHoil on canvas89.9 x 142.5 cm.; 35 3/8 x 56 1/8 in.
Pieter Neefs the ElderANTWERP 1578 (?) - 1656/61THE INTERIOR OF A GOTHIC CHURCHoil on copper6 7/8 by 5 5/8 in.; 17.5 by 14.3 cm.
Follower of Willem van de Velde the YoungerAN ENGLISH SHIP IN A GALE ATTEMPTING TO LIE-TOoil on canvas29 7/8 by 24 7/8 in.; 75.9 by 63.1 cm.
Karel DujardinAMSTERDAM 1626 - 1678 VENICEAN ITALIANATE LANDSCAPE WITH TWO PEASANTS AND HORSES NEAR RUINSsigned and dated lower right: K. du Jardin / 166?oil on canvas17 1/8 by 15 1/2 in.; 43.5 by 39.4 cm.
Giovanni Antonio Canal, called CanalettoVENICE 1697 - 1768VENICE, A VIEW OF THE EQUESTRIAN MONUMENT TO BARTOLOMEO COLLEONI AND THE CHURCH OF SANTI GIOVANNI E PAOLOoil on canvas16 1/4 by 13 1/4 in.; 41.4 by 33.7 cm.
Emanuel de WitteALKMAAR CIRCA 1617 - 1691/2 AMSTERDAMINTERIOR OF A CATHOLIC CHURCHsigned indistinctly on the bench lower leftoil on panel16 1/8 by 12 3/4 in.; 41 by 32.4 cm., with a 1 cm. addition along the bottom
Abraham BlommaertCIRCA 1626-1693 AMSTERDAMHILLY LANDSCAPE WITH FIGURES BY A RIVERsigned lower left: A Blommaertoil on canvas21 5/8 by 17 1/8 in.; 54.9 by 43.5 cm.
Follower of Hubert RobertTHE WATER JETQuantity: 2a pair, both oil on canvaseach: 140 x 96 cm.
Follower of Hubert RobertTHE FOUNTAINQuantity: 2a pair, both oil on canvas55 1/8 x 37 3/4 in.
Filippo Carcano1840 - 1914ITALIANTHE DUOMO, MILANbears signature lower right; inscribed and dated 1874 on the stretcheroil on canvas130 by 82cm., 51 by 32in.
