年轻艺术家张飞超写实人体油画中的美女，清纯美丽，细腻逼真
年轻艺术家张飞超写实人体油画中的美女，清纯美丽，细腻逼真！或许在有些人看来，油画的最大魅力就在于可以极端写实。当代画坛有个趋势，就是许多油画家开始着迷于中国传统水墨，在画风上向模糊的、朦胧的画面趣味靠拢，同时也故意保留水墨的笔触。在早期中国水墨画借鉴西方的明暗素描之后，油画家们也开始向传统水墨靠拢了，这种语言上的转换堪称很“学术”了。何多苓在最近的一次访谈中讲：还是多画写生有意思，光画美女太不学术了。
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张飞，1980年出生，现工作生活于杭州。2006年毕业于中国美术学院油画系。现为职业画家。
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在一幅油画作品未完成之前，更多的是创作者对画作以艺术的语言来加以把握；在一幅油画作品问世后，更多是选择权利就交给了所有的欣赏者。其中，在品味一些优秀的油画人物作品时，我们更容易被画家作品描绘的人物形象所感染。即使只有三言两语注解的画作，也能让人在艺术作品前产生深深的思考。这些都是细细品味画家张飞的作品所给人的感悟，也是画作给人传递的信息。
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写实的风格算“学术”吗?在当今艺术界，这似乎是一个无解的问题。因为在有些画家看来，写实主义代表了深厚的基本功与专业的学院背景，只有画写实的画家才算是“会画画”，至于那些看不出来绘画基础的“当代艺术”“装置”“抽象画”，则通通是“蒙事”的，在他们看来，一个有良好绘画功底的画家，是不会做那样的艺术的——也就是说，他们的标准是，只有写实的绘画，才是有学术意义的绘画。
有意思的是，另一些艺术家的看法恰恰相反。在他们看来，写实绘画是应该被淘汰的艺术，因为从欧美的艺术发展经验来看，从照相术诞生的那一天起，写实绘画的命运就已经终结了，因为绘画已经不再是人们留下形象的唯一手段了，从那个时期起，西方的绘画开始从具象向抽象发展，它有两个灵感源头与切入点，一个是非洲的艺术，一个是东方的艺术，包括日本绘画与中国绘画。在这个阶段，有两个最典型的艺术大师，一个是凡·高，一个是毕加索。所以持此论据者谈起写实绘画，总是不屑一顾，认为我们现在还把西方早已淘汰的艺术标准拿来，显得太落后了。
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