极简现代 | 弧形立面建筑 / 开普饭

Saemoonan教堂提出了四种截然不同的教堂建设主题作为基本准则;①韩国新教教堂作为母亲教堂的历史性，②向天堂敞开大门的象征意义③将基督表达为光的空间性，④呈现水空间作为洗礼和和谐的意义。

因此，我们采用了“慈爱的上帝和慈爱的邻居”的主题，并将它们纳入设计中。“爱的上帝”主要通过空间的使用和象征来表现，“爱的邻居”方面则通过展示在城市中心的建筑的外观和布局效果以公共性来表达。

Saemoonan Church proposed four distinct church construction themes as basic guidelines; ① the historicity as the mother church of Korean protestant churches, ② the symbolism of doors open to heaven ③ the spatiality of expressing Christ as light, and ④ presenting a water space as a meaning of baptism and harmony. Hence, we adapted the themes with Loving God and Loving Neighbors and included them in the design. Loving God was mainly portrayed through the use and symbolism of the space, and the aspects of Loving Neighbors were expressed with the publicness through the external appearance and layout effect of the building that are revealed in the city center.

在saemonan教堂的建造中，传统的尖顶被一种向天空开放的柔和曲线效果所取代，过多的装饰被转化为简单而抽象的表达。此外，与其说是着重表现教堂的权威性，不如说是用柔和的正面曲线隐喻了上帝的爱和怜悯。

因此，我们提出了一个新的周期性的崇拜空间，它采用扇形的教堂平面，鼓励信徒之间的动态参与，而不是用共同的长走廊形式来创造庄严的空间氛围。

In the construction of Saemoonan Church, the conventional spire was replaced by a softly curved effect that is open to the sky, and the excessive ornaments were converted into simple and abstract expressions. In addition, rather than focusing on showing the authority of the church, the love and mercy of God were metaphorically expressed with the curve of the soft front. Furthermore, instead of creating a solemn spatial atmosphere with the common long corridor form, a new periodic worship space was proposed with a fan-shaped chapel plane that encourages the dynamic participation between believers.

“邻里之爱”的公共建设意图在Saemoonan教堂的建筑中清晰可见，这似乎是21世纪教堂必须深入考虑的建筑任务。

Saemunan-ro中空的正面和弯曲的拱门所创造的新村路的院子，是世界上其他地方所没有的教堂建筑类型，旨在成为一个实用的安息之地公民通过打开教堂的邻居而不是追求自然虔诚的崇拜与一个封闭的空间像一个修道院。

通过大厅通向世宗表演艺术中心的连续交流也说明了教堂的开放性。在这里，小教堂也将作为一个活跃的开放文化空间，它将通过缩小现有的砖砌教堂带回历史。

The public construction intention of Loving Neighbors is clearly visible throughout the architecture of Saemoonan Church, and this seems to be an architectural assignment that 21st-century churches must deeply consider. The yard of Saemunan-ro created by the hollow front and bent arch gate, which are church architecture typologies that cannot be found anywhere else in the world, is intended to become a practical resting place of citizens by opening the church to neighbors rather than pursuing a reverent worship space with a closed nature like a monastery. The fact that continuous communication was plotted through the lobby towards the Sejong Center for the Performing Arts also illustrates the openness of the church. Here, the small chapel as well, which will bring back the history by downscaling the existing brick church, will be used as an active open cultural space.

透明的玻璃盒子，似乎消失在弯曲的墙壁之外的天空中，不仅角度上的形态和谐，与柔和的弯曲的墙壁形成对比，同时也是一种建筑策略，旨在保护子孙后代免受拥挤街道的影响，成为一个带有屋顶花园的明亮的教育大厅。

此外，教育厅大楼的顶层和十字塔的高空空间可以成为向每个市民开放的纪念空间，就像世界上许多教堂经常向邻居开放其顶层穹顶一样，因为首尔美丽的市区全景可以得到最大程度的享受。

The transparent glass box, intended to seem as if it was disappearing into the sky beyond the curved wall, not only angles for a morphological harmony that is in contrast to the softly curved wall, but is also an architectural strategy that aims to protect future generations from the congested streets and become a bright Education Hall with a rooftop garden. Furthermore, the top floor of the Education Hall building and the high altitude space of the Cross Tower can become a memorial space open to every citizen, just as the many churches of the world often open their top floor dome to their neighbors, since Seoul’s beautiful downtown panorama can be enjoyed to the utmost.