克里斯蒂安·维格纳（Christian Verginer）的雕塑艺术作品以最出乎意料的方式将人物和事物融合在一起，在这些领域中，人们发现合理而自由的联系而不是理性的联系。 克里斯蒂安·维格纳并不想创造面部或身体运动的转瞬即逝的表情，他所追求的是本质，最重要的是对形式的塑性研究，这些形式既精确又在解剖上完美呈现。这些形式在任何心理分析中都占主导地位，他的作品的眼睛，即最隐藏的心理状态的窗口，大部分是闭合的，被内在的沉默所吸收。Christian verginer's works combine people and things in the most unexpected way. In these fields, people find reasonable and free connection rather than rational connection.The artist does not want to create the fleeting expression of face or body movement. What he pursues is the essence and the most important is the plastic study of forms, which are both accurate and anatomically perfect. These forms are dominant in any psychoanalysis. The eyes of his works, the most hidden window of psychological state, are mostly closed and absorbed by the inner silence.
