黄莺
生于湖南，现居北京，先后毕业于北京电影学院和中央美术学院。
曾荣获今日美术馆∙未来馆“艺术创新奖”，Fashion Power时尚影响力年度风尚艺术家，首都机场合作艺术项目荣获“ADMEN广告人国际大奖实战金案”。
Huang Ying
Huang Ying (born in Hunan, China) is an artist based in Beijing. Graduated from Beijing Film Academy and in Central Academy of Fine Arts, Beijing
Huang Ying won the Annual Creative Artist in Future of Today 2015 and won the Annual Fashion Artist in Fashion Power 2015. The art project with Netease for FIFA World Cup Russia 2018 at Capital Airport T3 is awarded the Real Practice Model Case of the 2019 ADMEN International Award.
嬗 影像空间装置 2019
Metamorphosis
Immersive space installation
触 互动影像装置 2019
Touch
Interactive video installation
黄莺(出生于湖南，中国)是一位居住在北京的艺术家，她的作品涉及影像、摄影、平面、装置、雕塑和绘画等多种媒介。早期的影像包括《触》(2009)，它展示了手指在皮肤上划动、揉碎一朵花、抓挠毛发等局部特写画面，所有这些画面都伴随着噪音。在《嬗》(2010)的电影中，一个穿着胸罩和内裤的女人被一群蜻蜓攻击，并与其中一只融合。在黄莺的创作实践中，三角形几乎无处不在。这正是一系列嵌套着层层三角形的数字绘画的主题。在《你是如此温柔》(2014)中，每个变体都有自己的配色方案，它们有六次迭代反复。每个三角形内部都有自己的线性设计，颜色和线性模式的排列创造出一种高耸翱翔的视觉效果。在《无限的温度》(2015)中，几何图形和作品的标题用蓝色和紫色的霓虹灯来呈现；2016年，黄莺在三角形画布上创作了一系列丙烯画，与另两幅矩形画布交替。她在黑色表面上画上黑色图案，关于这个系列她写道，
Spiritual Abstraction
Huang Ying (b. Hunan, China) is an artist based in Beijing who works in varied media--video, photography, graphics, installation, sculpture, and painting. Early films include Touch (2009), which shows partial views of fingers scraping along the skin, the crushing a flower, scratching a head, all with attendant noises. In Metamorphosis I, II (2010) a woman dresses in bra and panties is attacked by dragon flies or merges with one. But it is the triangle which is nearly omnipresent in Huang’s creative efforts. It is the subject of a series of digital paintings of nested triangles. In You are so Tender (2014) each variation has its own color scheme; there are six iterations. Each triangle has its own interior linear design, and the arrangement of the colors and linear patterns produce a soaring effect. Appearing in Unlimited Temperature (2015), the geometric figure, along with the title of the work, is executed in blue and purple neon; while in 2016 Huang made a series of acrylic paintings on triangular shaped canvases with interior drawing that alternate with two rectangular canvases. She painted them with black on black surface designs, about which she wrote,
你是如此温柔 数码绘画 2014
You are so Tender
Digital painting
395x290cmx3
无象 影像装置 2014
The Imageless
Video installation
我们生活在这个世界，常常分不清什么是虚构，什么是真实。当我们被禁锢在现实的某种游戏规则之中，试图对构造这个真实提问时，我却着迷于虚拟与现实之间的灰色地带，也就是虚拟和现实相互接触相互融合的地带，虚拟产生于现实的挤压，它是我们寻找另一种自由形式的通道，也是自我拯救的过程。我们试图将虚拟形态转化为可以触摸和感知的实体，延伸到现实环境之中。这样的努力导致某种突破性的干扰，它用不同和相同的特质交融，产生一个新的共联的虚拟现实的空间，从而影响未来。黑色是我一直非常着迷的颜色，既神秘又高贵，黑色是起点，也是终点，黑色蕴藏无限可能。在《无象》系列作品中，我试图用绘画和手工的方式使黑色体现出它的物质性，而去绘画性的手工痕迹又使黑色看上去很虚幻。黑色里隐藏着来自真实世界的图像转化而来的虚拟形态结构，它们不受控制地复制变异，像一个充满致命诱惑的黑色深渊。在享受网络的加速度和在虚拟世界狂欢之时，事实上我们的个体行为和价值变成了后台的大数据，我们痴迷于所创造之物，也需警惕被之吞没。We often have difficulty distinguishing between fictions and realities in the complex real world. When we are confined to the rules of the games in the real world of which we attempt to question the structure, I am fascinated in the blurry terrain between fiction and reality. Virtual form comes out by the squeezing power of the real world which is another channel we are looking for in the form of freedom and is also a complete process to self-salvation. We can transform the virtual form into the entity that can be touched and perceived, extend it to the realistic environment. This kind of activities is the interference which leads to the breakthrough. A new virtual-reality united space will come out with the same and different characteristics and influence the future. I am always fascinated by black, which is mysterious and noble, and, is starting point and end point. The possibilities in black is infinite. The painting and manual approach that I attempt to use in the series of my work “the imageless” make the black reflect its materiality. But by removing the painting features in these manual prints make the black look unreal. The virtual form which is transformed from the image of the real world and hide in the black works is reproducing and changing uncontrolled like a black abyss with fatal attraction. Our individual behavior and values have already become the back-end data when we enjoy the network acceleration and carnival in the virtual world. We need to be mindful of that we will be submerged by the created things when we are obsessed with them.
无象No1、No2 布面油画 2016
The Imageless No.1、No.2
Oil on canvas
84x90cmx2
无象 装置 2019
The Imageless
Installation现在熟悉的主题是一件名为《幻想速度》(2分18秒)的影像投影映射装置，在这个装置中，三角形在不同的材质中变形成几十个重复的形状。影像以夜空的视角开始，夜空中的星星变成三角形，它们再演变成三维空间的形式。在2016年的《你是如此温柔》影像装置中，紫色金字塔再次出现在多个屏幕上，分裂成数百个大小不一的形状。这部影像一直伴随着飘忽不定的声音，时而舒缓，时而刺耳。到了2018年，黄莺的全息空间装置作品《十三场梦境》的规模是宏大的。三角形如海啸般出现了，交替地变幻成光影模式、波浪状的洪水和五彩缤纷的花海。在黄莺这样抽象的艺术作品中，诠释可以很宽泛。她是如何将这种金字塔般的形式引入创作之中我们很难了解，但越来越大规模的感官轰炸，伴随着不断变化的几何形式、色彩、光和声音，将观众带入到一个特别的地带，远离了我们正常的经验，在这种高度感官意识的状态下，它们打开了宇宙的新思想。The now familiar motif is the subject of a video projection mapping installation Fantasy Speed, (2 minutes 18 seconds), where the triangle morphs into dozens of repetitions in varied materials. The film begins with a view of the night sky whose stars transform into triangles that evolve into three-dimensional forms.406 In You Are So Tender, a video installation of 2016, the purple pyramid appears again on multiple screens and divides into hundreds of smaller and larger shapes. Erratic sounds—soothing and jarring— accompany the film. By 2018 the scale of a holographic installation, Thirteen Dreams, is immense. (Figure 8.12) A tsunami of triangles emerges and alternately changes into lighting patterns, wave-like inundations, and colorful fields of flowers. In an art as abstract as Huang’s, interpretations can be broad. What the import of the pyramidal form is hard to know, but the increasingly large-scale bombardment of the senses with constantly changing geometric forms, color, light and sound sends viewers into a special zone, far from normal experience and in this state of heightened sensory awareness they are open to new ideas of the universe.
幻想速度 投影映射装置 2015
Fantasy Speed
Video projection mapping installation
360x120x72cm
十三场梦境 全息沉浸式空间 2018
Thirteen Dreams
Holographic immersive space
30x30m
通过使用数字艺术、影像和全息投影，黄莺的努力激发了一种身体沉浸感。通过感官的刺激，这些不同的抽象艺术使人达到一种更高的意识境界。——摘自纽约巴德学院亚洲艺术主席、艺术史学家
帕特里夏·埃辛鲍姆·克雷斯基教授
2020年著作《双面·中国当代女性艺术》Using digital art, video and holograms, Huang Ying’s efforts prompt a sense of physical immersion. Through stimulation of the senses, these various kinds of abstract art lead to a higher state of awareness.Patricia Eichenbaum KaretzkyExcerpt from “Both Sides Now, the Art of Women in Contemporary China”
不止于白 户外投影映射装置 2020
Out of White
Video projection mapping installation
無镜之梦 影像装置 2021
Dreams without mirror
Video installation
主要个展
2021 無镜之梦，塑研微美术馆，北京，中国
2019 十三场梦境，沉浸式空间，幻艺术中心，北京，中国
2018 十三场梦境，全息沉浸式空间，舍得艺术中心，四川，中国
2015 W·Love， 中国国际贸易中心，北京，中国
2012 仙镜， 今日美术馆，北京，中国
主要联展
2020 不止于白，沉浸艺术展，崇礼，中国
2019 寻光之旅，限时艺术展，上海，中国
2018 未来的异想：新媒体艺术展，武汉，中国
2017上海城市空间艺术季“连接·共享未来的公共空间”，上海，中国
2017 首届南美国际艺术双年展，布宜诺斯艾利斯，阿根廷
2017 巴西库里蒂巴国际双年展，奥斯卡·尼迈耶美术馆，库里蒂巴，巴西
2016 第十七届亚洲艺术双年展，达卡，孟加拉
2015 想象的未来，今日美术馆，北京，中国
2015 图像现今，卡普里岛圣·吉亚科莫修道院艺术中心，意大利
2013 不期而遇 - Art Sanya国际当代艺术展主题展，三亚，中国
2013 Serve the People，白兔美术馆，悉尼，澳大利亚
2013 女性视角 - 中国新艺术，威廉·帕特森大学美术馆，新泽西，美国
2012 偏看 - 无意识的当代艺术，伊比利亚当代艺术中心，北京，中国
2010 影像档案展，宋庄美术馆，北京，中国
2008 中国当代艺术文献展主题展，雍和美术馆，北京，中国
2007 艳色记录，关山月美术馆，深圳，中国
2006 变异的图像，上海美术馆，上海，中国
Selected Solo Exhibitions
2021 Dreams Without Mirror, E-Art Museum, Beijing, China
2019 Thirteen Dreams, Immersive Space, Dreamland Art Center, Beijing, China
2018 Thirteen Dreams, Holographic Immersive Space, Shede Art Center, Chengdu, China
2015 W·Love, Huang Ying’s Installation Art Exhibition, China World Mall, Beijing, China
2012 My Mirrored Realm, Huang Ying's Solo Exhibition, Today Art Museum, Beijing, China
Selected Group Exhibitions
2020 Out of White, Dolomiti Art Valley, Hebei, China
2019 The Journey of Happiness, Shanghai, China
2018 Future of Today, New Media Art, Wuhan, China
2017 This Connection - Sharing a Future Public Space, Shanghai Urban Space Art Season 2017, Shanghai, China
2017 BienalSur-The First International Biennial of Contemporary Art in South America, Museo MAR, Buenos Aires，Argentina
2017 Bienal de Curitiba 2017, Oscar Niemeyer Museum, Curitiba, Brazil
2016 The 17th Asian Art Biennale Bangladesh
2015 Future of Today, Today Art Museum, Beijing ,China
2015 Painting the Present, Certosa di San Giacomo, Via Certosa 1-Capri, Italy
2013 Encounters, ART SANYA International Contemporary Art Exhibition 2013, Sanya, China
2013 Serve the People, White Rabbit Gallery, Sydney, Australia
2013 A Women's View: New Chinese Art, University Galleries, William Paterson University, New Jersey USA
2012 Looking awry- The Unconscious in Contemporary Chinese Art, Iberia Center for Contemporary Art, Beijing, China
2010 Screenage Art Document Exhibition, Songzhuang Art Museum, Beijing, China
2008 The Documental Exhibition of China’s Contemporary Art , Beijing, China
2007 Rich Colors, GuanShanYue Art Museum, Shenzhen, China
2006 Varied Image, Shanghai Art Museum, Shanghai, China
