布隆齐油画艺术
安哥挪罗·布隆齐诺(agnolo bronzino )是佛罗伦斯画家,彭托莫﹝Pontormo﹞的弟子,亦受米开朗基罗(Michelangelo﹞影响。起先为多斯加尼大公,麦第奇家族的科西莫一世﹝Cosimo I de' Medici﹞的御用画师,是最重要的矫饰主义画家之一。
布隆津诺专注于表现超乎人性的典雅与拘谨,和他的老师彭托莫那种强烈的感性大异其趣。他从米开朗基罗所学有限,大约只有前缩法﹝fore-shortening﹞的技巧。他的宗教作品数量不多,大都极其精緻,而不带一丝感情。其人物形象坚实有力,绘画材料简洁、光润、具有一种神奇的纯洁,表现形式又坚定不拔。例如,作品《爱情的寓意》﹝Allegory of Lust﹞虽然在冰冷中带有淫猥的意味,但是一种理想主义气味,使画面构图充满象徵意义,明显的性感表现并没有损害形象的辉煌和肉体的光辉。
···········································································································································
············································································································································
···········································································································································
·············································································································································
···········································································································································
············································································································································
············································································································································
·············································································································································
·············································································································································
·············································································································································
············································································································································
············································································································································
············································································································································
·············································································································································