金工艺术家EUNHYUK CHOI的作品哲学
EUNHYUK CHOI
教育背景
2011年，英国皇家艺术学院，金匠，银匠，金属制品和珠宝学硕士学位，英国
汉阳大学设计学院，金属设计学士学位，2003年
活动和奖项
2014年在AllSun Asia担任眼镜设计师。
2013年获得金史密斯工艺与设计奖
银奖。2012
年巴宝莉奖2012 年2012 年威廉·韦尔奇工作室沙漠餐具比赛的荣誉奖。
2007年汉阳大学“ Siuter”学院副院长。汉阳大学金属设计学士
2007年获得第42届韩国设计振兴院设计展工艺奖
展览
2014 Vision's Voyage，首尔万国宫画廊，韩国首尔
2013佳士得，国王街画廊，英国伦敦，
2013 2013 ShowRCA2013，戴森大厦，皇家艺术学院，巴特西，英国，英国
2013金匠的手工艺与设计奖项，英国伦敦，金史密斯音乐厅，
2013年“继续前进：8,207,654mm”设计博物馆和美术馆，伦敦，英国，
2013年临时展：进行中，皇家艺术学院，英国，伦敦，
2012年，“让我们来看看V ：更大的图片”，Marzee画廊，荷兰奈梅亨，
2012年欧洲青年才艺研讨会：“请不要拿黄金”，施普克博物馆，普福尔基海姆，德国
2012年V＆A伦敦设计节：欲望的甜蜜工具威廉工作室，伦敦，英国
2012年Soixante Dix开幕：英国伦敦ZEUS HOUSE
2012年，英国伦敦威廉·韦尔奇工作室全国巡回展览
2012年中期展览：正在进行中，皇家艺术学院，英国伦敦，
2011年“让我们来看看IV：给予与接受”，Marzee画廊，荷兰奈梅亨，
2010年“ Tetsuson”，日本横滨，Bankart工作室，
2009年“ A：gain”，韩国首尔，Coex（国际珠宝展主办），
2009年“ Da Capo”（度展），韩国画廊，首尔，韩国
2008年“ TEUM”，格劳画廊，首尔，韩国
2008年“变化”，汉阳大学Beknam图书馆，韩国
ARTWORK 作品
HAIR AND COMB
ORDER AND CHAOS ll
- hair, silver, stainless steel l 2008
头发和梳子
秩序和混乱ll
头发 银色 不锈钢 2008
NEEDLES
-stainless steel, silver, brass l 2008
针
不锈钢 银 黄铜 2008年
REMEMBER WHAT YOU HAVE DESTROYED UNDER THE NAME OF DEVELOPMENT
Human beings have consciously or unconsciously destroyed countless things under the name of development or with sweet excuses. The results caused by what we have done are to return to us. The process is slow, but it is same as suicide. I used the image of handcuffs to express suppressed hands and wanted to remind that the action of destruction in handcuffs was like self-injury, not as an image.
titanium, silver l 2009.
请记住以开发名义造成的破坏
人类以发展的名义或以美好的借口有意识或无意识地摧毁了无数事物。我们所做的工作所带来的结果将返还给我们。过程缓慢，但与自杀相同。我用手铐的形象表达被压抑的手，并想提醒一下，手铐的破坏行为就像是自伤，而不是图像。
钛 银 2009年
GORDIAN KNOT
- stainless steel wire, silver l 2008.
哥德结
不锈钢丝 银色 2008年
FLATTERING AND BACKBITING.
People have and show different behavior. they act to give a good impression when necessary and also criticize others behind them sometimes.
Each quadrangular pyramid move backward and forward, like stabbing a knife on someone’s back.
- jade, howlite, onyx, stainless steel, silver l 2008.
人前人后
人们有并且表现出不同的行为。他们在必要时表现出良好的印象，有时还会批评他们背后的其他人。
每个四角锥都向前和向后移动，就像在别人的背上刺刀一样。
玉 砗磲 玛瑙 不锈钢 银 2008年
THE RESULT MADE BY UNCONSCIOUS BEHAVIOR.
Once people are fascinated by consciousness for a result, they hardly realise the value of process. This stared from a scene in wich a child was following the manual of a promodel kit in order to finish the peide, doing repeated and mechanical actions. The child, however, did not realise what he had made. That was space after several parts were detached, which was a result itself. This story is what I focused on this project.
Furthermore, I attempted to create a new way of holding jewel which is movable by turning, like his unconscious behavior.
- quartz, stainless steel, silver, steel l 2008.
意外行为导致的结果。
一旦人们对结果着迷，他们几乎就不会意识到过程的价值。这是从一个孩子盯着一个场景开始的，当时一个孩子正在遵循原型工具包的手册以完成peide，进行反复的机械动作。然而，孩子没有意识到自己的所作所为。拆开几个零件后，就形成了空间，这本身就是结果。这个故事就是我专注于这个项目的原因。
此外，我尝试创建一种新的方式来固定珠宝，这种方式可以像他的无意识行为一样通过转动来移动。
石英 不锈钢 银 钢 2008年
ETERNITY
- silver, stainless steel l 2008
永恒
银 不锈钢 2008年
GIFT FROM MYSELF.
I always make a gift after finishing several projects in order to remember that moment. Thus, the gift must be related to the project in the past. The design key word is from the effect of an object which is my first exhibition project in RCA.
- stainless steel, silver l 2011.
送给自己的礼物
我总是会为了纪念某些项目完成时刻送给你自己一件礼物，因此这件礼物必须和完成的项目相关，这件作品的关键词来自于我参见的第一个展览——RCA.
不锈钢 银 2011年
MATERIAL ITSELF.
I think that every material has own emotion, feeling and character.
- titanium l 2011.
材料本身
我认为每种材料都有自己的情感，感觉和性格。
钛 2011年
INTERNAL AND EXTERNAL.
I had felt something, like melancolia or isolation for three months, I was not able to figure it out and even unable to explain the feeling. This is because it was not sad or happy but something that I could not define and it was just something I am not used to. There had just been weirdness.
I started to blame external aspects, such as different environment and culture, then I realised that I was a bit closed to those external things and I made the isolation myself.
- silver l 2012.
内部和外部。
三个月来，我有一些感受，类似于忧伤或者孤独的感觉，无法弄清甚至无法解释这种感觉。这是因为它不是悲伤或快乐，而是我无法定义的东西，而这只是我不习惯的，仅仅是感觉古怪。
我开始指责外部因素，例如不同的环境和文化，然后我意识到自己对这些外部事物有些封闭，因此我自己进行了隔离。
银 2012年
CAUSE AND EFFECT.
- silver l 2012.
因果
银 2012年
UNTITLED.
- silver, stainless steel l 2012.
无题
银 不锈钢 2012年
WHAT YOU SEE IS NOT WHAT IT IS.
People judge others by looking, which sometimes forms delusional expectations.
They want them to fit into a shape and expect them to act like their preconceptions.
Our own persona is killed by all.
- silver, rope l 2013.
你看到的不是它本身
人们通过观察来判断他人，有时会导致妄想。
他们希望他们适应自己的形状和期望去扮演自己所期望的样子。
我们自己被所有人杀死。
银 绳子 2013年
DECONSTRUCTION.
-silver l 2012.
解构
银色 2012年
LABEL
- silver, titanium l 2015
标签
银 钛 2015年
GRADIENT.
- silver plated copper, silver, garing wood l 2008.
梯度
镀银铜 银 木料 2008年
THE WALL.
-teapot and warmer.
People build a wall against others to protect their own interests, but can also demolish the wall in order to become closer to those beyond it.
This is a contradictory situation; people from different backgrounds meet one other with a wall that they have set up to hide from outsiders, but they also want to share with each other what they have confined within them.
- nylon, stainless steel, silver plated brass l 2009.
墙
茶壶和暖气
人们与他人建立隔离墙是为了保护自己的利益，但也可以拆除隔离墙以使其更接近其他隔离墙。
这是一个矛盾的情况；来自不同背景的人们彼此碰面，他们设置了一堵墙以躲避外人，但他们也希望彼此分享自己在其中所受的限制。
尼龙 不锈钢 镀银黄铜 2009年
THE BATTLE OF THE TABLE.
DESSERT CUTLERY FOR GOURMET AND GOURMAND.
I am a light eater for food, but at the same time, a heavy eater for dessert, which means I like all dessert. I, however, always wonder why there is no dessert banquet and why every dessert cutlery is so small. Thus, I prepared a dessert banquet and two collections in one box for gourmet and gourmand.
In this collection, gourmet represents traditional cutlery. Otherwise, gourmand represents a new collection as a proposal. To be specific, a small fork and spoon are kinds of traditional things for gourmet, and six bigger pieces, fork, spoon, ice-cream spoon, knife, butter knife and server, are my concept against the traditional things. These two elements make contrast on the table.
Every single cutlery in my collection has blade on the head and handle for two function, first one on the head is to cut a dessert and another one on the neck is to easily pick my cutlery up. This is because the character of my collection is flater and heavier. And the reason why I did not make pronged-fork is that every dessert is soft and easier to cut than meat, so it means we do not need to hold it for cutting. As I mentioned, six pieces of cutlery are for gourmand and just only for personal use, including server, which makes these people fulfill themselves, not waiting so many time.
This collection has fork-like-shaped cutlery which is in-between knife, spoon and fork. Thus, I need to make a new name, which is ‘HAP’. The meaning of HAP is plus altogether in Korean.
- stainless steel, silver plated brass, forged l 2011
桌子的战斗。
美食家和美食家的甜点。
我是食物的轻度食用者，但同时又是甜点的重度食用者，这意味着我喜欢所有甜点。但是，我总是想知道为什么没有甜点宴会，为什么每个甜点餐具都那么小。因此，我为一个美食家和美食家准备了一个甜品宴会和一个盒子里的两个收藏品。
在这个系列中，美食代表传统餐具。否则，美食家代表一个新收藏作为提案。具体来说，小叉子和汤匙是美食家的传统物品，而六大物品（叉子，汤匙，雪糕勺，小刀，黄油刀和服务员）是我反对传统物品的概念。这两个元素在桌子上形成对比。
我收藏的每个餐具在刀头和手柄上都有刀片，有两种功能，第一个在刀头上是用来切甜点，另一个在脖子上的刀上是用来轻松拿起我的餐具。这是因为我收藏的人物更加扁平和沉重。我之所以没有制作叉状叉，是因为每种甜点都比肉类柔软且易于切割，因此这意味着我们无需握住它进行切割。正如我所提到的，六件餐具是为美食家准备的，仅用于个人使用，包括服务器，这使这些人能够充实自己，而不用等待太多时间。
该系列在刀，汤匙和叉子之间设有叉状餐具。因此，我需要重新命名为“ HAP”。HAP的含义在朝鲜语中加在一起。
不锈钢 镀银黄铜 锻造 2011
THE EFFECT OF AN OBJECT.
An object acts as an effect in itself. The effect is not confined within the small ring box, but spreads far. It fills in a larger space and influences observers. The effect of an object resembles scent, because it is neither direct nor concrete. The scent flows into the air and discretely makes contact.
For this RCA / Galerie Marzee project all students got an off-the-shelf jeweller’s ring box. It was up to the students what to do with it, where you take it… there was only one rule : everything should happen inside the box, the students could not change the exterior in any way. And the box must be wrapped in an A4 size piece of paper [or similar material] that doubles as an ideas worksheet summarizing in text and images the students’ journey towards the piece contained in the box.
- stainless steel, silver l 2011.
对象的影响
对象本身就是一种效果。这种效果并不局限于小戒指盒内，而是传播得很远。它填补了更大的空间并影响了观察者。物体的效果类似于气味，因为它既不是直接的也不是具体的。气味流入空气中并离散接触。
对于这个RCA / Galerie Marzee项目，所有学生都获得了现成的珠宝商的戒指盒。这取决于学生如何处理它，以及在何处使用它……只有一条规则：一切都应该发生在盒子内部，学生无法以任何方式改变其外观。并且盒子必须用A4大小的纸[或类似材料]包裹起来，并可以将其作为想法工作表，并在文本和图像中进行汇总，总结出学生在盒子中所走的途中的文字和图像。
不锈钢 银 2011年
ORDER AND CHAOS l
- duralminium, stainless steel l 2007.
秩序与混乱l
硬铝 不锈钢 2007年
THE HEAD OF SPOON.
I like spoons that are in a stable shape. The shape of spoons may be too familiar for us to pay much attention. Nevertheless, spoons are part of our life for sure. Although modern designs have their own characteristics and aim to attract people’s attention, I tried to show the familiar shape of spoons which I think is important.
- copper l 2007.
汤匙头
我喜欢形状稳定的汤匙。汤匙的形状对于我们来说可能太熟悉了，无法引起我们的注意。尽管如此，汤匙无疑是我们生活的一部分。尽管现代设计具有自己的特征并旨在引起人们的注意，但我还是尝试展示熟悉的勺子形状，我认为这很重要。
铜 2007年
What you see is not what it is ll.
The tea ceremony can be seen as one kind of ritual, and coitus could be seen as another. However, as rituals these two activities are treated in different ways. What I suggest is that you see these different events aiming at the same goal, of sharing time, one person with another. What makes us assign different values to activities that in many ways are so similar?
My collection consists of two series of contradictory objects. One sexualises the ritual of a tea ceremony and the other ritualises the sexual act.
silver, stainless steel, silicone, perspex. l 2013.
您所看到的不是全部。
茶道可以被视为一种仪式，而性交可以被视为另一种仪式。但是，作为仪式，这两种活动的处理方式不同。我的建议是，您会看到这些不同的事件针对同一目标，一个人与另一个人共享时间。是什么让我们给在许多方面如此相似的活动赋予不同的价值？
我的收藏品包含两个相互矛盾的对象。一种使茶道仪式仪式化，另一种使性行为仪式化。
银，不锈钢，有机硅，有机玻璃。2013年。
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