余工简介
中国江西人，哲学博士。画家、建筑师、设计师、企业家。北京大学文化研究员，联合国生态生命安全科学院院士兼副院长，国内外多所高校特聘教授，江西美术学院承办人、校长。在2009第二届美术报年度人物评选中曾与吴冠中先生同台领奖，评为“对中国艺术设计界最有影响力”的六人之一，是中国第一位设计大师勋章获得者。中国工商联家具装饰业商会艺术装饰委员会会长。Yu Jianggan was born in Jiangxi, China. He is the founder,president of College of the Arts Jiangxi.As a polymath,Yu Gong is a painter, an architecture,a designer and an entrepreneur at the same time. As a scholar,he is a culture researcher of Peking University and distinguished professor of a number of colleges and universities in China. As a conservationist, he was awarded the academician member by the MANEB. As an artist , Yu Gong won the Art Weekly’s Annual Character Awards of the year in the 2th China "Art Weekly"Festival in 2009. As one of the six Most Influential people of Chinese Art and Design, he shared the remarkable Awards Ceremony with Chinese artist Mr Wu Guangzhong, who won that honor at the same year. As a designer, he received the Medal of Design Master in 2015 Chinese Design year.余工以建筑绘画及设计艺术教育见长，数十年笔耕不辍，用建筑专业眼光探寻世界文明，用画笔诠释中国人文胜景及各国建筑艺术，行遍中国并长期游走荣洲、欧美各国，是画遍世界的执着艺术家。 Yu Gong is especially good at architecture drawing and he feels happy to devote himself to art design education. Now he still draws every day,as he has been doing since he was a boy. He explores the world from an architectural perspective, draws the cultural landscape with his industrious hands, and travels around the world. He is a dedicated artist.
余工钢笔画，空间交响诗
余工，世界级建筑师，建筑钢笔画速写四十余年。为考察研究乡村建筑，笔行六十余个国家。他的速写草绘行云流水，随心所欲，在 “似与不似之间”灵动闪耀，处处散发其建筑师的无限想象力。
动如脱兔，余工的建筑速写可谓十分快。一小时完成十到二十幅A3纸大小的作品不在话下。他说建筑速写是时空交汇，是思想迸发，是音乐中的“无穷动”。瞬间的灵感高速度快进，笔若不快，线条就滞就笨就泄了。一泄就了无生动。不生动就没了水灵灵的眼睛的那般慧气。
静如处子，余工的建筑速写也有慢的时候。沉思，静虑，下笔不冲动，不从透视从思想。记得是2004年，他在莫斯科红场克里姆林宫静坐半天，一条线都没画，一张A2尺寸画，慢描细绘，足足画了三天才完工。慢线条的细腻描绘力透纸背，克里姆林宫的深邃厚重跃然欲出。原来钢笔速写慢起来也能急死人。
余工的建筑速写是设计草图，是建筑印象，同时又是线性书法。有如《张迁碑》那般古朴淳厚，雄强大气，给人庄严正大，肃穆浑厚的美感，威严磊落的气势令人肃然起敬。也有如《曹全碑》般灵动飘逸，赏之令人遐思悠远......
余工的建筑速写，是空间的交响诗，令人心醉神迷。施以色彩援手，又可现层峦叠翠，鸟语花香，山光水色皆在其中。仁者见仁，智者见智，余工的建筑速写，亦是诗歌协奏曲，一幅图往往能幻化成数首诗，有田园诗协奏曲，有哲理诗协奏曲，有抒情诗协奏曲……令人叹为观止。
余工的建筑速写，是他人生观价值观世界观的真实写照。四十余年世界各地写生，余工常常是随画随送，不同的语言，不同的肤色，只要喜欢，他便慷慨相赠。赠人玫瑰手有余香，如此舍画，反过来也成就了余工的画。
