艺术头条｜朝鲁门：燃烧和永不抹去的形式感 / 开普饭

朝鲁门认为对于单一艺术，绘画雕塑等单一门类研究以及东西方艺术史时，远远表达不了艺术的本质性。艺术的本质是有很多范畴领域之内如：社会学、政治学、社会主义、资本主义理论学等众多领域下形成。

而今当代艺术引领的21世纪，我们应该不分国籍，不分东西方，我们在同一个起跑线上认识艺术，我们应该重新审视西方的艺术史，确立新的世界观，明确找出疑点，进而发现我们的优势。从而找到自己的位置……

朝鲁门

ART HEADLINES

燃烧和永不抹去的形式感

Chao Lumen: a sense of form that burns and never erodes

编辑 · EDIT / ©RoSAN

艺术家 · ARTIST / ©Chao Lumen

发行推广 · LSSUANCE OF PROMOTION / ©AnArtSpace

©CHAO LUMEN 朝鲁门

MORNING LIGHT SERIES

“晨曦”系列, 2021

Studio Scene

Chao Lumen believed that the study of single art, painting, sculpture and other single categories as well as the history of Eastern and Western art was far from expressing the essence of art. The essence of art is formed in many fields such as sociology, politics, socialism, capitalist theory and so on.

In the 21st century, led by contemporary art, we should recognize art from the same starting line, regardless of nationality, east and west. We should re-examine the art history of the west, establish a new world view, clearly identify the doubtful points, and then discover our advantages. To find my place...

©CHAO LUMEN 朝鲁门工作室

朝鲁门于绘画作品与实践当中探索21世纪未来艺术。未来艺术如同现代电影所呈现背后的科幻性和机器人时代探索方向一样，需要探索发现，预言未来……而我以创作作品的方式与实践结合，提出当代艺术的质疑，它会被未来的新型艺术所取代。

Chao Lumen explores the future of art in the 21st century through painting and practice. Future art, just like the science fiction behind modern movies and the exploration direction in the robot age, needs to be explored and discovered to predict the future... And I put forward the question of contemporary art by combining the way of creating works with practice, which will be replaced by the new art in the future.

©Chao Lumen，Heart and dawn

心与晨曦，2018，布面油画

170 x 100cm，Oil on canvas

20世纪中早期的艺术家，他们在战争和社会时代艺术主义所影响，形成的艺术作品和艺术家，20世纪90年代出生的我们敏感的发现时代的差异，发展中的国家、国际之间的差异。没有战争的和平世界，知识这大话题渐渐淡出了物质世界。

Artists in the middle and early 20th century, who were influenced by the art of the war and social era, formed works of art and artists. We born in the 1990s are sensitive to the differences of The Times, the differences between developing countries and the world. In a peaceful world without war, the topic of knowledge gradually faded from the material world.

©Chao Lumen，Untitled

无题，2019，布面油画

83 x 243cm，Oil on canvas

语言应该存在于物质世界当中，而非一个人的脑海里，语言应该是可持续发展的过程而非一个独立实践。而艺术让人看到开始和结束。艺术家应当无限的想象和感受，去发现美、发现艺术真理、发现未来艺术世界。我们应当确立新的价值观，新的艺术审美观，来理解我所探索与实践当中的作品。

Language should exist in the physical world, not in one's mind. Language should be a process of sustainable development rather than an independent practice. And art shows the beginning and the end. An artist should have unlimited imagination and feeling to discover beauty, the truth of art and the future art world. We should establish a new value, a new artistic aesthetic, to understand the works I explore and practice.

©Chao Lumen，Untitled

无题，2019，布面油画

120 x 96cm，Oil on canvas

2015后《橙色系列》作品的核心是对于美学大胆的尝试，诸如雕塑绘画的空间、材料、规模等提供新的可能性，在橙色系列中找到艺术的自由之后，又不满足于现状，想突破当代艺艺术找到自己的艺术语言。《橙色系列》从萌芽到结束用的时间很短。与2016 - 2020年我创作出《符号系列》100余件作品相结合，提出后当代艺术的到来。《符号系列》作品与时俱进，可以穿缩到史前，也可以穿越到未来。

The core of "Orange Series" works after 2015 is a bold attempt on aesthetics, such as the space, material and scale of sculpture painting to provide new possibilities. After finding artistic freedom in the orange series, they are not satisfied with the status quo, and want to break through contemporary art and find their own artistic language. The Orange series was born and finished in a very short time. Combined with more than 100 works of "Symbol Series" created by me during 2016-2020, it proposes the arrival of post-contemporary art. The Symbol Series is a series of works that move with The Times, from prehistoric times to the future.