中国写实油画工作室导师冉劲松油画作品欣赏
冉劲松：1963年生于贵州 ，1982年 考入贵州民族学院，1986年毕业学士学位, 1991年 考入中央美术学院油画研修班93年毕业, 2002年俄罗斯列宾美术学院学习交流, 中国艺术研究院艺术创作研究中心画家，中国写实油画工作室导师、杨飞云工作室研究员。
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冉劲松作为一位年轻的优秀油画家，有理想，有追求，像那些杰出的油画家一样，秉持不断探索的精神，潜心创作，不断在艺术的道路上攀登，并不断地以创作的积累显示出自己的个人风格，与艺术的探索显示出自己对时代审美趋向的正确把握。冉劲松不是单一题材的画家，人物、静物、风景，都是他表现的对象。其人物绘画造型谨严，色调醇厚，构图新颖
冉劲松具备了这样的条件，他喜爱西方古典写实主义，但他对中国传统文化也心有灵犀，他对早期印象派诸位大师的作品进行过自己的研究，尤其发现了塞尚、凡高是借鉴了东方艺术进行意向化的创作，解放了形色，这本质上又与中国的艺术情调和精神气质相统一。冉劲松的求学历程曲折而传奇，从小酷爱绘画到后来获得数学系的理学学士;从中央美术学院油画系及杨飞云的燕郊工作室研修，再到现在获得了艺术学博士学位，在这漫长的30多年时间里，无论生活状态多么困顿，时间多么紧张，他一直在不懈努力。
尽管在绘画上不断取得成就，但冉劲松从未停止艺术上的求索。在坚持深入生活和写生的同时，二十多年间，他先后在中央美术学院、中国艺术研究院油画院、美国北方大学深造，并赴俄罗斯、法国、西班牙、意大利等国的艺术院校和世界各大美术馆求学观摩和临摹，在深入生活和创作探索的路上从未停步，在学习求知的路上也从未停步。正如他自己所说，犹如一直行走在艺术的旷野，孤独而执着地寻找心灵的方向。他的这种孤独是不断超越自我的心灵跋涉，相信冉劲松会在锲而不舍的努力中，不断开拓出新的艺术境界。
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后来冉劲松进入中央美术学院攻读研修班，师从杨飞云先生，谈到冉劲松，杨飞云说他基本功扎实，刻苦用功，且难能可贵的是有一颗虔诚的心灵，这一点在当今美术界是非常难得的，知悉生命的可贵，敬畏美好的事物，晓得感恩，这些才是古典艺术的真谛。中央美院毕业离校后，冉劲松一直在沉默的状态中进行语言和观念的实验。在他看来，稳定艰苦的试验状态远比主流中寻找一个位置更诱人。面对新生代、晚生代艺术现象和五花八门的前卫艺术的兴起与衰落，冉劲松冷静且固执地在边缘地带不为所动进行着艰苦的艺术实践，他的观点是：只有边缘性，才能保证艺术的实验性和敏锐的思考性。
从观念和风格两个层面看，冉劲松的作品可大体分为超现实主义、抒情写实主义和古典写实主义三类。无论是在超现实主义作品中，画家力图将观者引入思考的层面，还是在抒情写实主义作品中，以诗意化的情景试图唤起观者的人性本真，或者是在古典写实主义中建立审视和批判当代社会行为的审美标准。这些既是画家对风格多元性的追索，更是对写实主义的坚守。冉劲松不甘于在市场化大潮横扫世界艺术市场的喧嚣中，古典写实画派日益蜕变为与生活和生命没有血肉关系的唯美主义和形式主义现状。而是努力回归生活，直面生命的困难和社会痼疾，用美和爱抗拒时下的物质主义和虚无主义，用心的创作与探索，坚守他对古典之美的日益深邃和恢弘热爱。
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