速速收藏!美国电影摄影协会:20世纪电影摄影百佳作品

本文原题:美国电影摄影协会评出20世纪电影摄影百佳作品

影评许可证

公众号[2019]第9期

本栏目由海量更新的电影界独家呈献

近日,为庆祝美国电影摄影协会成立100周年,评选出了20世纪电影摄影百佳作品。

其中,华语电影也有两部上榜,分别是张艺谋的《大红灯笼高高挂》,和王家卫的《花样年华》。

具体榜单如下:

1

1. Lawrence of Arabia (1962), shot by Freddie Young, BSC (Dir. David Lean)

2

2. Blade Runner (1982), shot by Jordan Cronenweth, ASC (Dir. Ridley Scott)

3

3. Apocalypse Now (1979), shot by Vittorio Storaro, ASC, AIC (Dir. Francis Ford Coppola)

4

4. Citizen Kane (1941), shot by Gregg Toland, ASC (Dir. Orson Welles)

5

5. The Godfather (1972), shot by Gordon Willis, ASC (Dir. Francis Ford Coppola)

6

6. Raging Bull (1980), shot by Michael Chapman, ASC (Dir. Martin Scorsese)

7

7. The Conformist (1970), shot by Vittorio Storaro, ASC, AIC (Dir. Bernardo Bertolucci)

8

8. Days of Heaven (1978), shot by Néstor Almendros, ASC (Dir. Terrence Malick)

9

9. 2001: A Space Odyssey (1968), shot by Geoffrey Unsworth, BSC with additional photography by John Alcott, BSC (Dir. Stanley Kubrick)

10

10. The French Connection (1971), shot by Owen Roizman, ASC (Dir. William Friedkin)

Titles 11–100 (in order of release):

11

Metropolis (1927), shot by Karl Freund, ASC; Günther Rittau

12

Napoleon (1927), shot by Leonce-Henri Burel, Jules Kruger, Joseph-Louis Mundwiller,

13

Sunrise (1927), shot by Charles Rosher Sr., ASC; Karl Struss, ASC

14

Gone with the Wind (1939), shot by Ernest Haller, ASC

15

The Wizard of Oz (1939), shot by Harold Rosson, ASC

16

The Grapes of Wrath (1940), shot by Gregg Toland, ASC

17

How Green Was My Valley (1941), shot by Arthur C. Miller, ASC

18

Casablanca (1942), shot by Arthur Edeson, ASC

19

The Magnificent Ambersons (1942), shot by Stanley Cortez, ASC

20

Black Narcissus (1947), shot by Jack Cardiff, BSC

21

The Bicycle Thief (1948), shot by Carlo Montuori,

22

The Red Shoes (1948), shot by Jack Cardiff, BSC

23

The Third Man (1949), shot by Robert Krasker, BSC

24

Rashomon (1950) shot by Kazuo Miyagawa

25

Sunset Boulevard (1950), shot by John Seitz, ASC

26

On the Waterfront (1954), shot by Boris Kaufman, ASC

27

Seven Samurai (1954), shot by Asakazu Nakai

28

The Night of the Hunter (1955), shot by Stanley Cortez, ASC

29

The Searchers (1956), shot by Winton C. Hoch, ASC

30

Bridge on the River Kwai (1957), shot by Jack HIlyard, BSC

31

Touch of Evil (1958), shot by Russell Metty, ASC

32

Vertigo (1958), shot by Robert Burks, ASC

33

North by Northwest (1959), shot by Robert Burks, ASC

34

Breathless (1960), shot by Raoul Coutard

35

Last Year at Marienbad (1961), shot by Sacha Vierny

36

8 ½ (1963), shot by Gianni Di Venanzo

37

Hud (1963), shot by James Wong Howe, ASC

38

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), shot by Gilbert Taylor, BSC

39

I Am Cuba (Soy Cuba; 1964), shot by Sergei Urusevsky

40

Doctor Zhivago (1965), shot by Freddie Young, BSC

41

The Battle of Algiers (1966), shot by Marcello Gatti

42

Who's Afraid of Virginia Woolf? (1966), shot by Haskell Wexler, ASC

43

Cool Hand Luke (1967), shot by Conrad Hall, ASC

44

The Graduate (1967), shot by Robert Surtees, ASC

45

In Cold Blood (1967), shot by Conrad Hall, ASC

46

Once Upon a Time in the West (1968), shot by Tonino Delli Colli, AIC

47

Butch Cassidy and the Sundance Kid (1969), shot by Conrad Hall, ASC

48

The Wild Bunch (1969), shot by Lucien Ballard, ASC

49

A Clockwork Orange (1971), shot by John Alcott, BSC

50

Klute (1971), shot by Gordon Willis, ASC

51

The Last Picture Show (1971), shot by Robert Surtees, ASC

52

McCabe and Mrs. Miller (1971), shot by Vilmos Zsigmond, ASC, HSC

53

Cabaret (1972), shot by Geoffery Unsworth, BSC

54

Last Tango in Paris (1972), shot by Vittorio Storaro, ASC, AIC

55

The Exorcist (1973), shot by Owen Roizman, ASC

56

Chinatown (1974), shot by John Alonzo, ASC

57

The Godfather: Part II (1974), shot by Gordon Willis, ASC

58

Barry Lyndon (1975), shot by John Alcott, BSC

59

One Flew Over the Cuckoo's Nest (1975), shot by Haskell Wexler, ASC

60

All the President's Men (1976), shot by Gordon Willis, ASC

61

Taxi Driver (1976), shot by Michael Chapman, ASC

62

Close Encounters of the Third Kind (1977), shot by Vilmos Zsigmond, ASC, HSC

63

he Duellists (1977), shot by Frank Tidy, BSC

64

The Deer Hunter (1978), shot by Vilmos Zsigmond, ASC, HSC

65

Alien (1979), shot by Derek Vanlint, CSC

66

All that Jazz (1979), shot by Giuseppe Rotunno, ASC, AIC

67

Being There (1979), shot by Caleb Deschanel, ASC

68

The Black Stallion (1979), shot by Caleb Deschanel, ASC

69

Manhattan (1979), shot by Gordon Willis, ASC

70

The Shining (1980), shot by John Alcott, BSC

71

Chariots of Fire (1981), shot by David Watkin, BSC

72

Das Boot (1981), shot by Jost Vacano, ASC

73

Reds (1981), shot by Vittorio Storaro, ASC, AIC

74

Fanny and Alexander (1982), shot by Sven Nykvist, ASC

75

The Right Stuff (1983), shot by Caleb Deschanel, ASC

76

Amadeus (1984), shot by Miroslav Ondricek, ASC, ACK

77

The Natural (1984), shot by Caleb Deschanel, ASC

78

Paris, Texas (1984), shot by Robby Müller, NSC, BVK

79

Brazil (1985), shot by Roger Pratt, BSC

80

The Mission (1986), shot by Chris Menges, ASC, BSC

81

Empire of the Sun (1987), shot by Allen Daviau, ASC

82

The Last Emperor (1987), shot by Vittorio Storaro, ASC, AIC

83

Wings of Desire (1987), shot by Henri Alekan

84

Mississippi Burning (1988), shot by Peter Biziou, BSC

85

JFK (1991), shot by Robert Richardson, ASC

86

Raise the Red Lantern (1991), shot by Lun Yang

87

Unforgiven (1992), shot by Jack Green, ASC

88

Baraka (1992), shot by Ron Fricke

89

Schindler's List (1993), shot by Janusz Kaminski

90

Searching For Bobby Fischer (1993), shot by Conrad Hall, ASC

91

Trois Coulieurs: Bleu (Three Colours: Blue; 1993), shot by Slawomir Idziak, PSC

92

The Shawshank Redemption (1994), shot by Roger Deakins, ASC, BSC

93

Seven (1995), shot by Darius Khondji, ASC, AFC

94

The English Patient (1996), shot by John Seale, ASC, BSC

95

L. A. Confidential (1997), shot by Dante Spinotti, ASC, AIC

96

Saving Private Ryan (1998), shot by Janusz Kaminski

97

The Thin Red Line (1998), shot by John Toll, ASC

98

American Beauty (1999), shot by Conrad Hall, ASC

99

The Matrix (1999), shot by Bill Pope, ASC

100

In the Mood for Love (2000), shot by Christopher Doyle, HKSC

题图均来自相关电影资料与网络截图。

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