日本绘画界的毕加索，加山又造的诗意画作欣赏
加山又造（Kayama Matazo，1927—2004）当代日本画坛一位举足轻重的画家、版画家。1927年出生于京都府，幼年随父学画 。1944年毕业于京都市立美术工艺学校，1949年毕业于东京美术学校日本画科。1956年为新制作协会会员。1974年为创画会成员。1973年和1980年先后获艺术大奖和文部大臣奖。1966年任多摩美术大学教授、1988年任东京芸术大学教授。1997年入选文化功劳者，2003年获日本文化勋章。曾多次访问中国，1983年和1987年两次应邀在中国中央美术学院讲学，并任中央美术学院名誉教授。
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有日本人拿他与毕加索相比。日本经济新闻社编委、美术史论家泷悌三对加山又造先生的评价是：加山是一位不断在变幻而又成就卓越的天才画家，他同样也是一位绘画技术早熟的艺术大家！
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加山又造以一种完全不同的方法去作画，完全以自己的一种率性去创作。他在绘画领域不断开拓主题而又不间断地对一些新的语言进行探索与尝试，并从未停留于某一种题材上。日本经济新闻社编委、美术史论家泷悌三对加山又造先生的评价是：加山是一位不断在变幻而又成就卓越的天才画家，他同样也是一位绘画技术早熟的艺术大家！
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他的画典雅、禅意、富有诗意。大气磅礴而又细腻的装饰性风格，是他最无法忽视的特色。装饰画派的画深刻体现着日本绘画本质的部分，其装饰性来源于生活，以及想把自然之美长留心中的愿景。装饰性的手法，再现了自然界繁复、规律、重叠的生机和韵律。
画作 《千羽鹤》
这幅实际大小有六扇屏风的绢本画，捕捉了三千多只仙鹤振翅腾飞的景象。这是加山又造在鹿儿岛群鹤过冬的地方见到的奇观，被以诗意的方式再现给世人。
加山又造更多作品欣赏
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